Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of William Turner 03

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
55211 Harmonic William Turner Harmonic mk239 1942 114x146cm
24469 Hastings:Deep-sea fishing (mk31) William Turner Hastings:Deep-sea fishing (mk31) 1818 Watercolour 39.8x59.1cm
89750 Haus am Flub mit Baumen und Schafen William Turner Haus am Flub mit Baumen und Schafen c. 1807(1807) Medium oil on canvas Dimensions 96,5 x 114 cm cjr
3220 Hero and Leander William Turner Hero and Leander National Gallery, London
34605 Houses of Parliament on Fire William Turner Houses of Parliament on Fire mk94 1834
55060 Impression of number four William Turner Impression of number four mk239 1911 Oil on canvas 95x107cm
55058 Impression of Number three William Turner Impression of Number three mk239 1911 Oil on canvas 77.5x100cm
55062 Improvisatori William Turner Improvisatori mk239 1914 Oil on canvas 110x110cm
54899 In the house William Turner In the house mk238 1837 Oil on canvas 91x122cm
55177 In the red William Turner In the red mk239 1928 Watercolour 48.5x50.8cm
54873 Interior William Turner Interior mk238 1810 watercolour 64x49cm
54820 Interior Ruin William Turner Interior Ruin mk238 1796 Watercolour 21.4x27.4cm
54980 Island William Turner Island mk238 1840 Watercolour 19.5x28.1cm
87575 Jetzt fur den Maler, Passagiere gehen an Bord William Turner Jetzt fur den Maler, Passagiere gehen an Bord Date 1827(1827) Medium Oil on canvas Dimensions 170,2 x 235,5 cm cjr
54878 Jideka William Turner Jideka mk238 1819 Watercolour 22.3x28.7cm
66587 Joseph Mallord William Turner, selfportrait. William Turner Joseph Mallord William Turner, selfportrait. Oil on canvas 1798 58 ?? 72,5 cm
55053 Judge William Turner Judge mk239 1910 Oil on canvas 125x73cm
3215 Keelman Heaving in Coals by Night William Turner Keelman Heaving in Coals by Night 1835 36 1/4" x 48 1/4" The National Gallery of Art, Washington DC
55172 Keep in the mind William Turner Keep in the mind mk239 1927 Watercolour 48.3x32.3cm
55199 Keynote line William Turner Keynote line mk239 1936 129.4x194.2cm
54875 Lake William Turner Lake mk238 1819 Watercolour 22.4x29cm
54897 Lake William Turner Lake mk238 1832 Watercolour 13.9x19cm
54910 Lake William Turner Lake mk238 1828 oil on canvas 60.3x99.7cm
54916 Lake William Turner Lake mk238 1827 Watercolour 23.8x20.3cm
54919 Lake William Turner Lake mk238 1828 Watercolour 28.6x41.2cm
54963 Lake William Turner Lake mk238 1848-1850 Watercolour 36.9x54cm
54964 Lake William Turner Lake mk238 1846-1850 Watercolour 36.8x54cm
54984 Lake William Turner Lake mk238 1843 Watercolour 24.8x34.6cm
55014 Lake William Turner Lake mk239 1908 Oil on canvs 63x96cm
55051 Lake William Turner Lake mk239 Oil on canvas 98x103cm
54824 Landscape William Turner Landscape mk238 1795-1796 30.4x43cm
54828 Landscape William Turner Landscape mk238 1798 watercolour 28.9x41.6cm
54841 Landscape William Turner Landscape mk238 1802-1805 watercolour 54.5x82.7cm
54842 Landscape William Turner Landscape mk238 1802 Oil on canvas 90x119.5cm
54851 Landscape William Turner Landscape mk238 1805 Oil on canvas 90.5x116.5cm
54853 Landscape William Turner Landscape mk238 1806 Watercolour 27.5x37cm
54854 Landscape William Turner Landscape mk238 1802
54858 Landscape William Turner Landscape mk238 1812 Watercolour 13.9x21.9cm
54861 Landscape William Turner Landscape mk238 1810 Oil on canvas 92x122cm
54881 Landscape William Turner Landscape mk238 1819 waterclour 22.8x36.9cm
54917 Landscape William Turner Landscape mk238 1828 Oil on canvas 60x92.5cm
54920 Landscape William Turner Landscape mk238 1828 Oil on canvas 60.3x101.9cm
54947 Landscape William Turner Landscape mk238 1840 Watercolour 24.4x36.8cm
54948 Landscape William Turner Landscape mk238 1840 Oil on canvas 31.1x48.3cm
54952 Landscape William Turner Landscape mk238 121.9x182.2cm
54986 Landscape William Turner Landscape mk238 Oil on canvas 1844 Watercolour 22.8x32.8cm
54988 Landscape William Turner Landscape mk238 1843-1845 Watercolour 24.2x29.6cm
54990 Landscape William Turner Landscape mk238 1845 Watercolour 23.2x32.6cm
55035 Landscape William Turner Landscape mk239 1912 Oil on canvas 77.8x100cm
55052 Landscape William Turner Landscape mk239 1911 Oil on canvas 94.3x129cm
57303 Landscape William Turner Landscape mk255 for in 1835. 0.94 x 1.24 meters canvas. Paris, the Louvre
55045 Landscape of church William Turner Landscape of church mk239 1910 Oil on canvas 64.7x50.2cm
54887 Landscape of Deck William Turner Landscape of Deck mk238 1827 Oil on canvas 30.5x48.5cm
54816 Landscape of Seashore William Turner Landscape of Seashore mk238 1792-1793 21.3x27.2cm
52519 Landscape with a River and a Bay in the Background William Turner Landscape with a River and a Bay in the Background 1835-40 Oil on canvas, 93 x 123 cm
20830 Landscape with Distant River and Bay (mk05) William Turner Landscape with Distant River and Bay (mk05) Canvas 37 x 49''(94 x 124 cm)Acquired in 1967 R.F 1967-2(S/AR)
30695 Landscape with Juntion of the Severn and the Wye William Turner Landscape with Juntion of the Severn and the Wye mk68 Oil on canvas Paris,Louvre. c.1845 Britain
71442 Landschaft mit dem Garten des Hesperides William Turner Landschaft mit dem Garten des Hesperides Medium Oil on canvas Dimensions 155 x 218.5 cm
55219 Last watercolour William Turner Last watercolour mk239 1944 25.5x34.6cm
55173 Left William Turner Left mk239 1927 Oil on canvas 41x33cm
89347 Leuchtraketen bei hohem Seegang William Turner Leuchtraketen bei hohem Seegang 1840(1840) Medium oil on canvas Dimensions 91,5 x 122,7 cm cjr
55183 Level William Turner Level mk239 1930 oil on canvas 35x49cm
66586 Licht und Farbe: Der Morgen nach der Sintflut: Moses schreibt das Buch der Genesis William Turner Licht und Farbe: Der Morgen nach der Sintflut: Moses schreibt das Buch der Genesis 1843 78,7 ?? 78,7 cm
54924 Lifeimosi William Turner Lifeimosi mk238 1829 oil on canvas 132.5x203cm
55184 Light William Turner Light mk239 1931 Watercolour 34.2x34.8cm
54959 Light and colour William Turner Light and colour mk238 1843 Oil on canvas 78.5x78.5cm
24491 Light and colour-the morning after the Deluge-Moses writing the bood of Genesis (mk31) William Turner Light and colour-the morning after the Deluge-Moses writing the bood of Genesis (mk31) 1843 Oil on canvas 78.5x78.5cm
54933 Lighthouse William Turner Lighthouse mk238 1832 Watercolour 14x19cm
26067 Lincoin from the Brayford (mk47) William Turner Lincoin from the Brayford (mk47) 1803-04 Watercolour adn bodycolour 660x1020mm Usher Gallery,Lincoinshire County Council
54821 Lincon church William Turner Lincon church mk238 1795 watetcolour 45x35cm
55187 Line William Turner Line mk239 1931 48x25.9cm
54968 Lolusi William Turner Lolusi mk238 1830 Watercolour 61.6x82.5cm
54857 London William Turner London mk238 1809 Oil on canvas 90x120cm
89157 London from Greenwich Park William Turner London from Greenwich Park 1809(1809) Medium Oil on canvas Dimensions Height: 902 cm (355.1 in). Width: 120 cm (47.2 in). cjr
55084 Love-s Garden William Turner Love-s Garden mk239 1912 Oil on canvas
54904 Lusigete William Turner Lusigete mk238 1824 Watercolour 16x23.2cm
55039 Macron William Turner Macron mk239 1910-1911 Oil on canvas 32.5x32.5cm
54846 Marine William Turner Marine mk238 1808 171.4x233.7cm
54817 Marine fetch the piglet from board William Turner Marine fetch the piglet from board mk238 1792-1793 Oil on canvas 21.6x27.5cm
55029 Matter William Turner Matter mk239 1909 Oil on canvas 97x131cm
54973 Meeting William Turner Meeting mk238 1839 Watercolour 24x30cm
54862 Meiyinsi William Turner Meiyinsi mk238 1817 Watercolour 21x34cm
55204 Mistiness William Turner Mistiness mk239 1939 Oil on canvas 100x81cm
54901 Moore Park William Turner Moore Park mk238 1823 Watercolour 15.8x22.1cm
88165 Morgen in den Corniston Fells, Cumberland William Turner Morgen in den Corniston Fells, Cumberland 1799(1799) Medium Oil on canvas Dimensions 123 x 89,7 cm cjr
3216 Mortlake Terrace William Turner Mortlake Terrace 1826 36 1/4" x 48 1/8" The National Gallery of Art, Washington DC
88994 Mortlake Terrace, der Wohnsitz von W. Sliam Moffat, Sommerarbend William Turner Mortlake Terrace, der Wohnsitz von W. Sliam Moffat, Sommerarbend 1827(1827) Medium oil on canvas Dimensions 92 x 122 cm cjr
31836 Mortlake terrace:early summer morning William Turner Mortlake terrace:early summer morning mk76 Painted in 1826 Oil on canvas 36 5/8x48 1/2in
55108 Moscow William Turner Moscow mk239 1916 Oil on canvas 36x36cm
54845 Mountain William Turner Mountain mk238 1803 91.5x122cm
54847 Mountain William Turner Mountain mk238 1802 watercolour 32x47.5cm
54914 Mountain William Turner Mountain mk238 1831-1832 Watercolour 11.5x13.9cm
54982 Mountain William Turner Mountain mk238 1841 Watercolour 22.8x29.6cm
54983 Mountain William Turner Mountain mk238 1841 22.8x33.2cm
54985 Mountain William Turner Mountain mk238 1841 Watercolour 24.9x37.4cm
55012 Mountain William Turner Mountain mk239 1908-1909 Oil on canvas 106x96.9cm
55022 Mountain William Turner Mountain mk239 1909 Oil on canvas
55072 Mountain William Turner Mountain mk239 1911-1912 Watercolour
55201 movement William Turner movement mk239 1937 116x89cm
3241 Music Party William Turner Music Party 1835 Tate Gallery, London
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William Turner
English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.
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